W E I Y A N G · S E R I E S

Lu Xun Series

Twelve verified work families separate selected Lu Xun verse, contemporary inspired writing and seven Wild Grass sound studies. The four-part Autumn Night and paired Snow and Shadow's Farewell recordings now form nine complete on-site masters.

Listen straight through (9 songs)

One after another, back to the top at the end — until you stop it. Tap any song to carry on from there.

Tap any song to play
  1. 1Wild Grass · Autumn Night: Two Early Trees · LingwanTwo trees rise into a strange high sky; Lingwan turns their unbending outline into the fir
  2. 2Wild Grass · Autumn Night: The Little Pink Flower · MaryBetween cold stares and night birds, a little pink flower keeps dreaming; Mary's mezz
  3. 3Wild Grass · Autumn Night: Night Sky and Dark Birds · Male SlowA strange high sky presses down and dark birds cross the moonlight; Male Slow does not cha
  4. 4Wild Grass · Autumn Night: In Memory of the Heroes · Male SlowThe final movement does not rush toward victory. It leaves the flower's dream and the
  5. 5Wild Grass · The Shadow's Farewell · Male Slow Voice EditionThe same shadow departs along another bass melody. It stands beside the earlier recording
  6. 6Wild Grass · Snow · Mary CountrySouthern and northern snow meet again in Mary Country's mezzo. This is a short but co
  7. 7Wild Grass · Autumn Night‘One was a date tree, and the other was also a date tree.’ Lingwan does not turn Lu Xun&#x
  8. 8Wild Grass · SnowJiangnan snow is moist and beautiful; northern snow turns like powder and sand across a bo
  9. 9Wild Grass · Shadow's FarewellHeaven, hell and the future golden world all contain what the shadow rejects. Male Slow ke

How the series is built

One Poem, Two Lead Voices

Mary and Lingwan each sing three selected stanzas from My Lost Love with a distinct contemporary bridge. Source verse, new writing and two same-prompt takes remain separate rather than being inflated into ten songs.

Old Hat, Spectators & the Iron House

Three contemporary originals continue through Lu Xun-like severity, irony and human warmth, while every work remains labelled as inspired writing rather than a recovered text.

Three First Studies from Wild Grass

Autumn Night, The Shadow's Farewell and Snow enter through Lingwan, Male Slow and Mary. Every setting names its source selections and contemporary additions separately.

Four Movements of Autumn Night

Date trees, the small pink flower, the night sky and night bird, and the memorial to heroes form four narrative centres. All fourteen registered takes are now public.

Related journal: Why Sing Lu Xun’s Wild Grass Today? Letting Edge, Night and Human Warmth Speak AgainLow Does Not Mean Slow: How Male Slow Becomes a Person through Night Roads, Old Dreams and Refusal

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