Lin Juyi, Mary, Cyber and Lingwan each enter stadium rock, testing whether a choir can enlarge character instead of flattening four voices into one generic scale.
One after another, back to the top at the end — until you stop it. Tap any song to carry on from there.

Reverence for the Light WithinRock is not a singer; Cyber is the tenor. A private conviction grows into many voices beco
Two Hundred and FiftyA troublesome number becomes the mileage waiting each morning. Brass, claps, funky bass an
Keep the Fire from Going Out · Lin JuyiDust on a shoe, words hidden in an old pocket and tears before dawn are not scenery for sp
The Sun Rises over the SeaThe sun does not rise over a sea untouched by darkness. It reveals scars before people len
The Last Row Is Singing Too · LingwanA song does not begin only beneath a spotlight. Schoolyard wind, rain against a desk, a pa
Sing the Wound into Light · MaryThe song does not ask anyone to forget a wound or package tears as victory. Mary begins wiLin Juyi first carries dust, an old pocket and tears before dawn in a powerful, clean deeper register; the choir takes over only in the final third. The complete master proves that the wave enlarges force without erasing character.
Mary's warm mezzo enters heartland and gospel colour, grounding healing before private loneliness is passed into a shared refrain; the complete master now proves the choir does not erase her lived weight.
Cyber Tenor brings sea, dawn and an open high register into the arena; one complete on-site master proves that the clear lead is not buried by the choir.
Lingwan begins with schoolyard wind and rain on a desk, then lets front row, back row and distant listeners enter together; the complete master preserves distance between clear lead and crowd.