He does not hurry the feeling; the low voice lays out the night road slowly.
Male Slow is not valuable simply because the register is low. The question is whether a bass can keep the words clear and the emotion restrained. At a slower pace, he gives old dreams, loss and retrospection room to breathe without using a crowded arrangement to tell listeners exactly when to feel sad.
The public archive moves from Autumn in the Han Palace, The Stars Are Near and Lu Xun's Shadow's Farewell into Hall of Many Flags, Museum of Returning Stones, Old Lamp on the Mountain Road, Psalm 23 and the four-part Autumn Night, then follows a seven-song homecoming cycle before entering the classical distance of Climbing High and the English end credits of Last Train. Twenty-two complete recordings treat Male Slow as a singer, never a slowdown button.
One after another, back to the top at the end — until you stop it. Tap any song to carry on from there.

世界的河·Male Slow
Rain on the Wutong · Male Slow
Autumn in the Han Palace · Male Slow
Wild Grass · Shadow's Farewell
Autumn in the Han Palace
The Stars Are Near · Male Slow Moonlit Bass
Hall of Many Flags · Male Slow
Museum of Returning Stones · Male Slow
Night Train through the North
Old Lamp on the Mountain Road · Male Slow
Wild Grass · Autumn Night: Night Sky and Dark Birds · Male Slow
Wild Grass · Autumn Night: In Memory of the Heroes · Male Slow
Wild Grass · The Shadow's Farewell · Male Slow Voice Edition
Psalm 23 · Male Slow
Old Harbor Light
Father's Old Coat
The Unsent Letter
The Locust Tree before the Old House
A Song Understood in Middle Age
Rainy-Night Gas Station
Climbing High · End Credits
Last Train · End Credits
Spring Over a Broken Country
Dream of Ten Years