WEIYANG SOUND · 未央声场
云中君·傣族阿妹
兰汤、芳香、华采衣、日月与龙驾从迎神的停驻一路升到四海云中，最后留下的是望君远举后的叹息。傣族阿妹把十四行《云中君》全部唱入今天的慢歌，同时让古籍异文与现代新增各自有名。
傣族阿妹 · 中文演唱 · 繁体来源歌词字幕 · 3:18 · 完整播放
Yunzhong Jun · Dai Amei
屈原《九歌·云中君》完整原诗与当代序歌／副歌 · 傣族阿妹
作品说明
完整听傣族阿妹《云中君》：3:18《楚辞·九歌》云神迎送慢歌与完整竖屏来源歌词影像。精确 Suno 作品、公开 Persona、完整 MP3 / MV、封面和时间戳均已核实；十四行原诗全部保留，“忡忡／憧憧”异文与现代序歌、副歌另行标明。
Work note
Hear Dai Amei's Yunzhong Jun in full: a 3:18 Mandarin Songs of Chu ballad and complete vertical source-lyric film. The exact Suno work, public Persona, MP3, film, artwork and timestamp are verified; all fourteen classical lines remain, with the 忡忡/憧憧 textual variant and modern intro/refrains identified separately.
01 · ARRIVAL, RADIANCE, DEPARTURE
《云中君》不是一张静止神像；它用停留、降临、远举和思念写出一场迎送
《九歌·云中君》先写兰汤沐芳与华采衣，再让灵光停驻寿宫、与日月齐光；龙驾翱游以后，神灵既降又猋然远举，视线越过冀州与四海，迎神的明亮最终落到“思夫君兮太息”。页面因此把它读成一场有时间方向的迎送：芬芳、衣饰与光不是装饰标签，而是让人的等待、神的出现和离去依次发生。诗中角色和仪式关系仍保留开放解释，不锁成一张确定神谱或一场可复原的历史现场。
Yunzhong Jun is not a static portrait; staying, descent, ascent and longing make an arrival-and-departure sequence
Yunzhong Jun begins with orchid-scented bathing and radiant robes, lets the spirit linger in the longevity palace and shine beside sun and moon, then sends the dragon carriage roaming. After descent comes swift ascent; the gaze crosses Ji Province and the Four Seas before brightness resolves into a sigh of longing. The page therefore reads a sequence in time rather than a static deity portrait. Fragrance, clothing and light let waiting, appearance and departure unfold, while the ritual roles remain open rather than being forced into one fixed pantheon or reconstructed historical event.
02 · ALL FOURTEEN CLASSICAL LINES
十四行原诗全部唱出；现代序歌与副歌不倒署给屈原，“忡忡／憧憧”作为版本异文公开
来源歌词依原序唱出《云中君》十四行，从“浴兰汤兮沐芳”直到“极劳心兮忡忡”，没有删行或调序。维基文库所载版本末句作“极劳心兮憧憧”，本曲来源文本作“忡忡”；页面把它记录为文本版本差异，而不擅自宣布唯一正字。[Intro] 的“云中有君兮，光与日月”“兰汤沐芳兮，风从天阙”，[Refrain] 的“云中君，云中光”“一身花影满天香”“来如风，去如梦”“照我人间夜未央”，以及终段“阿妹唱到月中央”都是今天的创作。完整原诗与现代回应可以同歌，但署名边界不能消失。
All fourteen classical lines are sung; the modern intro and refrains are not assigned to Qu Yuan, and one textual variant stays visible
The source lyric sings the poem's fourteen classical lines in order, from the orchid bath through the final 忡忡, with no omission or rearrangement. The Wikisource text prints 憧憧 in that final phrase while this source lyric uses 忡忡; the dossier records an edition-level textual variant instead of declaring one spelling uniquely authoritative. The cloud-and-moon intro, the refrain about cloud light, flower shadow, wind, dream and an earthly night that has not ended, and the closing line about Dai Amei singing beneath the moon are present-day writing. A complete poem and a modern answer can share one song without losing attribution boundaries.
03 · A THIRD CHU CI ALBUM DOORWAY
第七套完整代表作打开《楚辞神话祭歌》；主打歌手的连续性继续扩张，现实文化边界不后退
精确作品绑定公开 Persona“傣族阿妹”，曲库将它收在《楚辞神话祭歌》专辑，是该专辑第一套本站完整母带。至此，她已分别用《东皇太一》《河伯》《云中君》打开三个真实登记的楚辞专辑入口。来源参数把清亮民族女声、葫芦丝、竹笛、古琴、轻柔仪式鼓与天空神话放在一起，这是 William Lee 的当代跨文化声音设计，不是战国楚乐、云中君祭仪或现实傣族声腔的复原。虚拟主唱可以建立跨专辑人物连续性，但 Persona 名称不赋予她代表现实族群、宗教实践或传承人的资格。
A seventh complete signature opens Songs of Chu: Mythic Ritual Songs while singer continuity grows without weakening living-cultural boundaries
The exact work binds the public Dai Amei Persona and belongs to the catalogue album 楚辞神话祭歌, becoming that album's first complete on-site master. Donghuang Taiyi, Hebo and Yunzhong Jun now open three separately registered Chu Ci album doorways for the same continuing lead. Source parameters combine a clear folk-inflected female voice, hulusi, bamboo flute, guqin, soft ceremonial drum and luminous sky mythology. This is William Lee's contemporary cross-cultural sound design—not a reconstruction of Warring States music, a Yunzhong Jun rite or living Dai vocal practice. A virtual lead can gain continuity across albums without acquiring authority to represent real communities, religious practice or tradition bearers.
04 · THE COMPLETE SOURCE FILM
一方明云、一朵湿紫兰与繁体歌词守满 3 分 18 秒；它是来源歌词片，不是祭仪或人物实拍
本站完整解码 3:18 MP3 与 198.016 秒影片，并抽查 2、70、140 与 195 秒画面。824×1464 竖屏影像始终使用同一张 1024×1024 来源图：上半格是云隙白光，下半格是一朵落在湿润暗面的紫色兰花；影片题名《云中君》、by @liwei、繁体歌词与 Made with Suno 全程可见。48 kHz 立体声 MP3 与 H.264 / AAC 影片从头到尾解码通过，音画时长只差约 0.024 秒，Suno 标记 video_is_stale=false。画面没有可核实的地点、年代、花种或表演者，因此只作为完整来源歌词电影，不冒充楚地遗址、兰汤实物、现实祭仪或傣族人物 MV。
Bright cloud, one rain-darkened purple orchid and traditional captions hold the full 3:18; this is a source-lyric film, not ritual or performer footage
The archive decodes the complete 3:18 MP3 and 198.016-second film and checks frames at 2, 70, 140 and 195 seconds. One 1024×1024 source image remains throughout the 824×1464 vertical film: white light breaks through clouds in the upper panel while a purple orchid rests on a wet dark surface below. The title Yunzhong Jun, by @liwei, traditional-character captions and Made with Suno remain visible. The 48 kHz stereo MP3 and H.264 / AAC film decode from beginning to end, differing by only about 0.024 seconds, and Suno reports video_is_stale=false. No place, date, flower species or performer is verified, so this remains a complete source-native lyric film rather than a Chu site, orchid-bath artefact, living rite or Dai performer video.
影像场景
云光初现
楚辞迎送
望君远举
Film scenes
cloud light
a Chu Ci arrival and departure
watching the deity ascend