WEIYANG SOUND · 未央声场
葬花吟·全词分章
不是摘一句名句做短歌，而让《葬花吟》在七分多钟里从落花、独白、问天走到最后的“花落人亡两不知”。女声先独自承受，男声从远处回应，最后仍把命运交还给黛玉。
未登记主唱 · 中文演唱 · 女声主唱、男声回应与合唱 · 7:06 · 完整播放
The Flower-Burial Song · Full-Text Chapters
曹雪芹《葬花吟》全文分章新唱
作品说明
完整听《葬花吟·全词分章》：7:06 中文全词新唱、完整 MP3 与全长 MV。@liwei 创作 · Suno 赋能。
Work note
Hear The Flower-Burial Song · Full-Text Chapters in full: a 7:06 complete Chinese-text setting with full MP3 and film. by @liwei · made with Suno.
01 · THE WHOLE POEM
最难的地方，正是不能只摘最熟悉的几句
《葬花吟》长、密、情绪多次转折。分章不是把诗切碎，而是让落花、青春、污淖、死亡与无人知晓的终局各自获得呼吸，使全文能够被唱完而不是被摘要。
The hardest choice is refusing to reduce the poem to its famous lines
The poem is long, dense and repeatedly turns in mood. Chaptering does not fragment it; it gives fallen flowers, youth, defilement, death and the unknown ending enough breath for the whole text to be sung rather than summarised.
02 · VOICES IN DISTANCE
女声是人物中心，男声只在需要时进入
主唱承担黛玉的独白，男声不抢夺人物，而像命运、记忆或无法抵达的回答从远处出现。合唱只在情绪汇合处打开，避免把个人悲剧唱成无差别的大场面。
The female voice remains the character centre; the male enters only when needed
The lead carries Daiyu's soliloquy. The male voice does not take over the character but arrives at a distance like fate, memory or an answer that cannot reach her. Duet opens only where the emotion converges, keeping a private tragedy from becoming anonymous spectacle.
03 · SEVEN MINUTES IN FULL
长作品也必须从第一句保留到最后尾音
本站 MP3 与竖屏 MV 都完整保留 7:06，让听众自己决定在哪一章停留。@liwei 创作 · Suno 赋能。
A long work must still remain intact from first line to final decay
The on-site MP3 and vertical film preserve all 7:06, leaving the listener free to dwell in any chapter. by @liwei · made with Suno.
影像场景
落花与锄影
独白和远处回应
一首长诗的完整命运
Film scenes
fallen flowers and a burial hoe
soliloquy and distant response
the full fate of a long poem